I had an interesting double-sided fabric in a murky green color (swamp green!) that is, roughly, the color of my eyes. It features thin blue and burgundy ribbons inserted in rows. On one side of the fabric, the ribbons appear inside the circles; on the other side of the fabric, the ribbons appear in the background. I'm not sure which side is intended to be the right side and I can't figure out how this fabric was made. It was a fairly crisp fabric, until I washed and dried it, when it became wrinkled and gauze-like. It's a fairly fragile fabric and, I think that it is all (or mostly) costton.
It took me awhile to figure out what I wanted to do with it, but I finally decided to make it into this Lynn Mizono pattern, Vogue 1246, view A. Views A and B are quite different. View A has a modified-mandarin neckline that appealed to me, and sleeves have a very cool hem detail where there is a slit and one pointy corner is pulled up and over the other and fastened with a button and buttonhole. It is designed to be a wrap top with ties and it has an A-line shape that is quite wide through waist and even wider through the hips and hem. There are deep, asymmetric slits in both side seams. There are 8 mitered corners - four at the side seam hems and 2 on each sleeve hem.
Because I am busty, I find wrap tops annoying to wear, so I decided to convert the pattern to a button front. The size 8 (the smallest size) has a finished bust measurement of 44", so I cut out a size 8 (smaller than my usual size 10) and did a vertical-only FBA of 1-1/4", as I didn't need additional width.
Once the top was mostly constructed, I decided I didn't like how loose it was through the torso, so I cut it down. From the side seams, I removed 8" at the waist and 12" at the hips which results, I think, in a more flattering look on me. Other than that, I didn't make any changes.
I also had an issue with the collar. The collar didn't lay as well on my neck as I would like. It needed to flare out a tad, but I would have had to deconstruct the top to replace the collar, so I decided to play with the styling. It lays well when folded down. It also lays better when the top is worn open, over a shell. If I make this pattern again (and I may) I will tweak the shape of the collar.
The pattern did not call for any interfacing, but I interfaced the collar and front facings. Another feature of this pattern is that all raw edges are finished. The shoulder seams are sewn with French seams. The side seams are folded under and stitched down, which I did by hand. The neckline and armscye seams are covered with self made bias binding. It makes for a very nice finish.
The top closes with 7 chunky, burgundy-colored buttons from Britex - 5 down the front, and one on each sleeve.
I like this top! I especially like the fit through the upper chest, which required almost no tweaking. I narrowed the shoulders by 5/8" which is far less than usual for a Vogue pattern. And I didn't shorten the sleeves at all, and they are perfect, also unusual for a Vogue. I wonder if it's because I made a size 8 and I am usually making a larger size...
I also love the sleeves with the unusual hem. The pattern is worth buying for the sleeve alone.
Here's a question for you. I have styled it differently in the next three photos. Which do you think is the best way for me to wear it?
Thanks for all of your feedback on my old, but classic, Montana jacket! I can't say what I will be making next, because I often change my mind at the last minute, but maybe a skirt or pants!
