You might remember back in November I won some beautiful boiled wool in Sandra Betzina's coat/jacket contest. The fabric, donated by Stone Mountain and Daughter, is a hard-to-describe royal blue/periwinkle color. (I first referred to it as purple, but it really is more of a royal blue.)
I decided it was fitting to make this fabric up using a Sandra Betzina pattern. I chose Vogue 1198, View B, which I'd been wanting to make since the motorcycle-inspired jacket pattern came out last fall. I also felt it was fitting to purchase the notions from Stone Mountain, who donated the fabric, so I headed off on New Year's Day to buy zippers, thread, and maybe a piece fabric, or two. ;)
I recently reviewed the Palmer/Pletsch DVD, "Full Busted?," and I applied techniques from the DVD to this pattern.
LOOK MA, NO MUSLIN!
One of the biggest tricks I learned from the DVD is how to prepare a tissue pattern so you can use it as a fitting tool. I usually do a rough fitting using the tissue pattern, and then do a final fitting in a test fabric. Previously, I found it difficult to get a good fit in tissue without ripping it to shreds. The Palmer/Pletsch technique worked fairly well. I did spend much longer than usual fitting the final jacket, but I saved the muslin stage, so it was worthwhile. I certainly knew that the final jacket would be large enough to make fitting possible and that is critical.
Supplies and Notions:
- Royal blue boiled wool from Stone Mountain and Daughter
- Royal blue pebbled Vera Wang silk from FabricMart for the lining. (Purchased last June, originally for another project. I bought this Vera Wang fabric in both pebbled and non-pebbled versions, but the pebbled was closer when I grabbed for it. :) )
- Black, lightweight fusible interfacing
- Scrap of cotton/rayon fabric for interfacing the hem.
- 24" YKK zipper - "Brastique" in black. (The pattern calls for a 20" zipper, but I knew I would be lengthening the jacket as part of the FBA process.)
- Two 7" YKK zippers - "Brastique" in black
- 1/4" Wonder Tape
- Black wool batt from Living Felt.
- Needle felting tools (needles, foam, Janome FM725 felting machine)
Alterations and Modifications:
- Lowered the bust fullness 4.5". (Which was a bit too much, but I was able to fix this when fitting the final fabric version.)
- 3" Princess seam FBA.
- After fine tuning the fit, I decided to omit the gathered back belt.
- Narrowed the cuff 1".
- Removed fullness at the side hip.
- In the final fitting, I removed some of the fullness from under the bust, down to the hip, at the front princess and side seams. On the princess seam, I removed fullness from the side panel only because the bottom of the left front was already quite narrow and I didn't want to interfere with the line.
- Though I am a huge fan of topstitching, I didn't want it for this project. The zipper pockets are supposed to secure the zipper using topstitching, but I hand picked both zippers. This also avoided any risk of needle breakage on the brass teeth of these substantial zippers.
- At the very end, I shaved off 1/2" from each shoulder, before attaching the sleeves.
- The first time I hemmed the jacket, I was not happy with it. It was too unsupported, so, inspired by Ann Rowley, I frogged the hem and made a proper, interfaced hem. The result is so much nicer. :)
Interfaced hem, in progress
More Needle Felting!
Tszuj it up!
As I was working on this jacket, I had the nagging feeling that I needed to tszug it up a bit. I was pondering over various techniques when Annette, one of my favorite reviewers on Pattern Review, and who is participating in the "12 Jackets in 12 Months" sew-along on Stitcher's Guild, became inspired by my needle felted jacket.
The concept of dry felting was new to Annette, but she eagerly jumped into it with both feet, and I advised her on her first order of supplies. She was then gifted with a needle felting machine and, within a week or two, she had completed a new coat, which featured a needle felted collar. I loved the camouflage-style design she created. (The clever girl couldn't wait for her wool roving order to arrive for the coat, so she felted the collar using dryer lint created when she machine washed/dryed the brown Shetland wool.)
She gave me ideas. :)
I immediately ordered the same needle felting machine she was using, a 5-needle Janome FM725, which is for sale on many sites at a clearance price (they have to make way for newer models). I bought mine from Fabric.com, so shipping was free.
While waiting for the machine to arrive, I wanted to get started with the needle felting on my collar and cuffs. I used the black wool batt I bought from Living Felt for my last project. (It as part of their monochrome set, but one of the only colors I did not use for that project.) I played with a free-form technique using both a single needle and the 4-needle tool that I purchased after completing my last project.
I made several samples before I was ready to start on the actual garment pieces. The samples were critical to the process, because I really didn't know what I was doing, but I liked how the samples were turning out, so I felt ready to attack the actual pieces. To prepare the final collar and cuff pieces, I fused interfacing to the back and then proceeded to apply the batt in the "squiggle" free form design that I had practiced.
See? I can do things besides circles. :)
The collar and two cuffs took me an evening to felt. At the end of the evening, I had broken several needles, but the swirls of black batting were fairly securely tacked. The wool was not as "melded" into the fabric as I wanted, but I knew I could accomplish that pretty easily once the felting machine arrived.
You've heard how long it took for the felting machine to arrive, so the project languished a bit. Once it came, I was delighted how quickly I was able to meld the black fibers thoroughly into the collar and cuffs. It's such a satisfying process.
Cuff on top was hand felted. Cuff on bottom after machine felting. I really wanted to meld the fiber into the fabric and was able to accomplish that with the machine.Finally, the jacket could be finished. But wait, work intruded with an all-weekend emergency. As soon as I delivered my part of that project, I immediately came down with some form of plague and sewing was out of the question. I am still not over it, but am functioning, thank goodness.
Wearing the collar open
OK, I've bathed, put on make up, but I still look sick. At least I hope that's my sick look. ;)