Monday, September 2, 2013

Shoulder Talk


Thanks so much for all of your feedback on my jacket!

Recently, I have received questions (some via email) about narrowing a shoulder, similar to this comment from MaryMary68 on my last post:

The jacket looks great!

Please, please, please do a tutorial on narrowing shoulders. Or link us up. Or refer the book you used to learn this technique.

I'm seriously struggling! I see this topic frequently on PR and know I'm not the only one.

I sometimes hesitate to share my particular alterations, as I am not a fit expert. I am pretty good at fitting me, but I do not see myself as a fit expert in general. A lot of my particular alterations are things that I just figured out, so they most likely do not represent what a professional pattern drafter (or other alterations expert) would suggest.

Given this disclaimer, let me tell you how I deal with this situation. My shoulders are, apparently, narrow. I took a proportions class once with Sandra Ericson, where we traced our shape onto a giant piece of paper (by standing against a wall in bare feet and working with a partner). Once we did this, we overlaid proportion lines on our silhouette to determine how we varied from "classic" body proportions. You can read more about the workshop here.

What I learned from this exercise that surprised me is that my shoulders are not particularly narrow. They are quite in proportion to the rest of my body.

Another interesting note is that when I sew a Style Arc pattern, I only have to remove maybe 1/2" from the shoulder. When I sew a Vogue (or one of the Big 4) I have to remove 1-2". Before I lost weight, and was sewing larger sizes, I typically had to remove closer to 2". Now that I've lost weight and am sewing smaller sizes, I typically remove closer to 1". If you sew from these patterns, you already know that the pattern companies think that, if you weigh more, that you are taller, have longer arms, wider shoulders, and so on, resulting in more alterations unless you are taller with longer arms and wider shoulders. ;)

But, as far as the pattern companies are concerned, I do have a narrow shoulder. So, how do I narrow a shoulder?

There is a pivot and slide technique. I am aware of it, but have not learned it.

The "technique" I use (if you can call it that) is a direct result of taking a tailoring class at Cañada College back in the 80s. I remember well when I got to that point in my jacket and learned, much to my chagrin, that the shoulder of the jacket was too wide. I was making a Claude Montana jacket with triangular suede appliques on the shoulder. I had gotten to the point where I had carefully attached the triangular appliques. Ronda Chaney, teacher extraordinaire, was about to hang the sleeves onto the jacket while I was wearing it.

Ronda told me that I would have to narrow the shoulder, meaning that I would have to chop off the tips of my carefully applied triangles. I was mortified and worried that the aesthetic design of the jacket was compromised.

Ronda marked where the sleeve should go. I cut it down and attached the sleeves.

Pshaw. Such drama! It was fine.

Here are the steps I follow:

  • I get to the point where the shoulder seam is sewn and I need to attach the sleeves.
  • Try the garment on and mark the desired shoulder placement with a pin.
  • Take the garment off and lay it flat. I cut off the excess fabric, tapering to nothing approximately where the notches are - where the armhole seam goes under the arm. I do this for the front and back, so what is removed looks like a sliver of new moon.
  • The sliver that I removed from the Anne Klein jacket - the back is on top and the front is on bottom. Note that I remove more width from the front of the garment than the back.
    Actually, this looks more like a Eucalyptus leaf!
  • I save the bits I cut off. I keep them in the plastic gallon bag with the pattern and samples of the fabric. If I make a pattern multiple times, I cut those slivers off the pattern, too.

The next question is, what about the top of the sleeve?

First, I always cut my sleeves at the very end of the process of making a garment. I have short arms, so I never cut the sleeves until the shoulders have been adjusted.

I pin the sleeve hem up on the pattern tissue and pin the underarm seam so that it's shaped like a tube. (For a 2-piece sleeve, I pin all the seams together.) I put the garment back on and pin the paper sleeve to the top of the shoulder with a single pin to check the sleeve length. (Note that I am not checking the fit of the armhole sleeve on the body, I do that while the garment is flat on the table.) I shorten the sleeve pattern, if needed.

Another interesting note. When I weighed more and was sewing larger sized patterns, I almost always had to shorten the sleeves by 1-2". Now that I am sewing smaller sizes, I sometimes don't have to shorten the sleeves at all, or I shorten them 1/2-1".

I guess the bottom line, is that if you are sewing Big 4 patterns, and the shoulders are too wide and the sleeves are too long, and you hate pattern alterations, just lose weight. ;)

But to be serious, another reason to cut out the sleeves later, is that once the shoulder is modified, you can then check to make sure that the sleeve will fit into the armscye. In a set-in sleeve, the top of the sleeve is drafted to be larger than the armscye, usually about 1-1/2" larger, though it can vary. This is why, of course, setting in a sleeve can be a bit of a pain - because you are squeezing a larger amount of fabric into a smaller area. (If you want to see a very compelling, opposing view to this accepted bit of drafting wisdom, see Kathleen Fasanella's post on Sleeve Cap Ease is Bogus.)

I compare the top of the sleeve to the armhole. Usually it is fine - in fact, it is pretty much always just fine. If there is still a question as to whether this will work, I cut a sleeve out of a muslin (or test) fabric, sew it up and baste to the garment, to be triply sure of the fit.

Once I am confident of the armhole fit and the sleeve length, I cut the sleeves out of the fashion fabric, and proceed.

You can see why I sew half dressed. I do lots of trying on and tweaking. For me, this is key to achieving a good fit, especially when using new patterns, but I even tweak the fit of TnT (Tried 'n True) patterns.

This is another reason I love Style Arc patterns. I find that they fit better through the upper chest and shoulder area. I still need to tweak the fit, but much less than for the Big 4 patterns.

But YMMV (your mileage may vary).

I am interested in hearing from other folks who narrow shoulders. What have you tried? What works? What doesn't work? Please share!

Sunday, September 1, 2013

Red Alligator Anne Klein Jacket - Vogue 1293


It's done at last!

This jacket has been a long time coming:

  • I bought the fabric in May, both for myself and for Margy.
  • I started sewing it in early June.
  • I then realized that I needed the correct interfacing and a custom zipper. In mid June, I ordered the zipper from Zipperstop and the interfacing from Pam Erny (Fashion Sewing Supply).
  • I had to wait for the things I ordered, so I had to put the project aside. (Never a good thing, since I am then very likely to get distracted.)
  • The interfacings and zipper arrived, but there was a slight problem. I ordered the zipper by phone. I ordered the zipper to be 19.5" long and a donut-shaped zipper pull, to match the 4" zippers I purchased locally that also came with donut-shaped zipper pulls. I am pretty sure that I asked them to put the zipper pull ON the zipper, but the order was not in writing, so I couldn't verify. The zipper pull was not on the zipper.
  • Rats. This meant that I had to change out the zipper pull and I was not eager to do it, though I ordered some zipper stops from ZipperStop, so that I could do so. They arrived some time later, but the project continued to sit.
  • Sometime in July (maybe late July), I sent Margy her piece of the same fabric. My project continued to sit.
  • A couple weeks ago, Margy told me she had cut out her fabric and had started a jacket.
  • OH! OH! This was the excuse I needed to get mine back out and finish it up. I suggested to Margy that we do another of our little mini challenges and she readily agreed.
  • I searched and was lucky to find all the bits and pieces and supplies, which were kind of all over the place. Phew.
  • I started by changing the zipper pull. I had not done this before. It's not technically difficult to do, but it requires some brute strength and some care so as not to shred the zipper tape.
  • Finally, I was back on track with the jacket, but Margy was having some technical difficulties. She had ordered some special zippers and then realized she did not have the quantity she had ordered. She ordered more, but there was a delay of about a week getting them shipped.
  • I didn't mind the delay, since work has also been rather demanding lately. But I finally finished my jacket last Wednesday night and was not in a rush to take pics and blog it.
  • Margy received her zippers on Friday and hit the sewing room hard. She finished sewing the jacket Saturday - yesterday.
  • Phew!

The pattern I used for this jacket is Vogue 1293 - an Anne Klein design with some very nice vertical seaming. The jacket front consists of three vertical pieces and the jacket back consists of three vertical pieces and then there is a shoulder yoke. The collar is also very nice. It folds back and there is a separate pattern piece for the collar stand, but it doesn't extend to the CF - it's just in the back and it's very much a RTW collar style. The jacket is not lined, but I drafted a lining pattern. The jacket features a hidden button closure, but I switched it to a zippered closure. I also added three zippered pockets and zippers on the sleeve hems, for a total of six zippers in the jacket.

Collar stand with contrasting top stitching

Supplies:

  • The fabric is a very interesting polyester (I believe) that is crinkled and embossed with a mock croco texture.
  • The lining is a very cool fabric I purchased over two years ago. I used it to line another garment, a Sandra Betzina jacket, but I had some of this fabric left over and I was able to squeeze out this jacket. This fabric was designed to be sewn up as scarves.
  • I used scraps of black silk organza to make the windows for the zippers.
  • The 19.5" separating zipper and donut-shaped zipper pull were from ZipperStop.
  • The five 4" zippers with donut-shaped pulls were from Fabrix.
  • I used scraps of solid black lining for the zipper gussets on the sleeve hems.
  • I top-stitched the entire jacket with contrasting black Gutterman top-stitching thread.
Sleeve unzipped

Alterations and Modifications:

  • This is a rather fitted jacket. I started with a size 14.
  • A standard princess-seam FBA, adding 1" in width.
  • Converted the hidden button closure to a zipper closure. I extended the zipper all the way to the tip of the collar and ended it where the jacket angles outward at the hem.
  • I drafted a lining pattern.
  • I replaced the pockets with three angled zipper pockets, two on the left and one on the right. The one on the right is positioned vertically between the two on the left.
  • I drafted a center back facing piece. (I hate it when patterns, even unlined patterns, don't include this.)
  • I narrowed the shoulder by 1".

The Jacket Lining

Notice the lining?

If you look at the scarf fabric pic, you'll see that there is a red stripe separating each scarf.

When I drafted the lining, I added a pleat for wearing ease at CB.

And, of course, I placed the red stripe at CB to maintain maximum symmetry.

The consequence of this was rather... interesting. I can't help it, but it reminds me of the female anatomy.

I am too genteel to be more explicit, at least in writing, where it can be used against me.

Sorry I brought it up. :)

The Result

Both Margy and I experienced some difficulties sewing this fabric, though we are not sure why. The fabric itself was pretty easy to sew and easy to iron, but each of us experienced some fitting weirdness. Margy thinks the fabric might be at fault, especially since she made her jacket pattern before with a more challenging fabric, and did not have such problems.

I don't know... it's a mystery.

I am pretty happy with the jacket. It replaces the red jacket I made two years ago that no longer fits and I'm glad that I was able to use the last of this great lining, which makes me very happy. I will admit that, when I first put the jacket on with the sleeves in place, I looked in the mirror, and watched all of my dangling zipper pulls. I was wearing a very funky pair of wide-legged pants (that are really too big for me, but I enjoy wearing them at home), and my first thought was that I looked like circus ringleader.

But the next day, I tried the jacket on again, in better lighting and with different pants. I decided it would be ok. So if you do think I look like a circus ringleader, be kind and do not tell me. ;)

Make sure to check out Margy's jacket, made with the same fabric!


Collar up

Collar down and zipped. I couldn't bear to cut the bougainvillaea out of the pic!

Worn open

So.Many.Dangly.Zippers.

Hat Attack Addendum

I only own one summer hat! (I'll have to rectify that.) I love this straw hat, which I purchased second hand. The label says Laurel Fenenga, San Francisco. When I bought the hat a year ago, I googled this name. She is, apparently, out of business. This hat folds up to be perfectly flat. I love that!

It was sunny today (eventually) but not warm. Please check out Style Crone's Hat Attack #2!

Tuesday, August 27, 2013

Blogiversary Giveaway


Thanks so much for all of your kind wishes on my blogiversary post!

As promised, here are the details of my giveaway. I have three sets of giveaway items:

A Style Arc Pattern

This is a gift from Style Arc!

The winner may choose a pattern priced up to $17 from the Style Arc website. I will order the pattern in your desired size, along with my own order. When it arrives, I will mail it to you. You will not receive the pattern right away, since there will be a delay while I order, then receive, then mail out.

This prize is open to folks in the U.S. only.

Thanks for this gift to my readers, Chloe and the gang at Style Arc!

Set of 3 Striped Zippers

One 24" separating black-and-white striped zipper and two 9" closed-end striped zippers. I used these in my Moto Jacket.

This prize is open to anyone.

Set of 3 Customized Black Zippers

Purchased on my visit to the zipper factory, I had these zippers customized. One 24" separating black zipper with a chunky zipper pull - it reminds me of a game piece with a silver ball in the middle - and two 7" closed-end black zippers with the same chunky zipper pull. I bought some of these to keep and one set to give away. I have plans for my set but have not gotten to that project yet.

This prize is open to anyone.

Details

If you are interested, please enter by leaving a comment on this post. Mention which items you are interested in (Style Arc pattern, striped zipper set, black zipper set - you can select any or all). I will only accept comments entered on or before Sept 3rd. I will draw names after this date and post the results on this blog. Keep checking my blog to see if you have won. Please contact me within one week.

That's it! Good luck!

Sunday, August 25, 2013

Fourth Blogiversary!


If you have been reading my blog for awhile, you will know that I don't do end-of-year summary posts. Usually, when the end of the year rolls around, I want to hide in the studio and sew, rather than look back and gather statistics. So I do a bit of taking stock on my blogiversary and today, August 25th, is my 4th! (If you are interested, you can see my previous blogiversary posts.)

Table of Contents

Statistics

End of Year Number of Posts Number of Followers Number of Subscribers
1 125 130 Was Google Reader in use?
2 107 341 482 (GR)
3 107 505 739 (GR)
4 92 617 996 when GR was retired on 7/1. 611 in Bloglovin.

It's interesting that my number of posts was a bit down this year!

Top 10 Posts

I cannot access the list of the top 5 or 10 posts of the last year, so here are the top 10 posts of all time, four of which are from this year.

Year in Summary

The most pivotal event for me this year, other than my eldest going off to college, was attending Design Outside the Lines in Taos in late September. It was a wonderfully creative retreat and inspired me to return to healthy living. I remember the retreat, the people, and the location, very fondly.

I am grateful to both Marcy Tilton and Diane Ericson for a special and immersive creative experience and also that I was able to attend Marcy's very last Taos retreat. I am equally glad that Diane is carrying on the tradition and, next month, is holding DOL in Taos with Nancy Shriber. No one can replace Marcy, but Nancy will be an excellent addition to Diane's team!

I attended Pattern Review Weekend in San Francisco in late April and met up with some sewists I had not seen in awhile, as well as meeting new folks in the flesh. I wish I had more time to interact with people - the day sped by and was jam packed with activities. I particularly enjoyed running to Dharma Trading with Claudine, followed by a chatty dinner.

I very much enjoyed giving a talk to the Designer Details students at Canada college.

Stylistically Speaking

The big change this year was a 40lb weight loss between October and June/July. My bust shrank from an Uber Bust (G) to merely a busty bust (DD). This physical change has had a large impact on my style and I am still figuring it out. For example, I have noticed that I am making fewer knitted tops and am more drawn to woven fabrics. This realization surprised me.

I find myself looking more to mainstream trends for inspiration (hello Pinterest!!!), but I don't want to lose my funky edge, so I continue with my attempts to customize my garments to reflect my love of interesting details. I want my clothing to skim the body and am no longer interested in wearing very loosely fitted or boxy pieces that hide my hard work.

I even wore a couple dresses this year, most particularly Marcy's Shingle dress, which is a fabulous pattern.

I am still puzzling it out.

What Have I Sewn?

In the previous year I had extended bouts of flagging mojo, which is perhaps why my number of blog posts is less this year, overall. In the last few months, that has changed. I have been sewing with zeal and have so many projects planned that I sometimes have trouble deciding what to make next - it's a bounty of riches and a lot of fun.

When I look back over the year, almost everything I sew has been from a Vogue pattern, with a few Style Arc, Kwik Sew, and other independents thrown in, such as Sewing Workshop, Sewaholic, and Grainline Studios.

It was difficult to choose, but here are my top 5 favorite garments I have made this year in terms of what I am loving to wear and wearing a lot (click the pic to take you to the corresponding blog post):

Marcy's Shingle Wiggle Dress Geisha Faces Duster Geisha Faces Duster Black Fitted Sandra Betzina coat Style Arc Barb pants Eggplant Pleather Moto Jacket

But, to be honest, I shouldn't restrict myself to only 5! (And some of my projects are so recently completed that they haven't had their chance yet, such as my pleated pewter raincoat and my latest Marcy pants.)

The Coming Year

I am not sure what I have planned for the coming year. I am not very good at planning. As soon as I announce that I'm going to do something, I usually end up doing something else. Suffice it to say that I have a long list of projects I'd like to work on, including more coats and jackets. This year both of my daughters will be away, so it's good that I have lots to distract me.

I will say that, now that my weight has stabilized, I want to sew more Style Arc patterns this year!

Celebratory Giveaway

I am very grateful for YOU, my blog readers, and my blogging sisters (many of whom are listed in the sidebar blog roll gadget)! Blogging has been a transformative activity for me and has improved my life in immeasurable ways. To celebrate my blogiversary, I will be hosting a giveaway, but not today. I have purchased a few items for a giveaway, but I'm still mulling it over. Stay tuned!

And, because I love you guys, how about this for some eye candy!

Visible Monday Addendum

It's another Visible Monday!

This has been a mostly-sewing weekend for me, but sometimes I need to get out among people. I work at home, I sew at home... sometimes it's nice to have some human contact! So, today I decided to take a walk to the nearby shopping area, to buy some fresh berries for my kale smoothie and to take in the sights. (I also stopped at a very nice thrift store, but didn't find anything that called my name.)

I am wearing one of my skirts formerly known as the Tablecloth Skirt. Rhonda Buss generously gifted me with this hand dyed African fabric.

I am also wearing a Uniqlo t-shirt. (I wear these all the time!) Over that is a jacket that I bought at a designer discount sale. I made the ball necklace and the lacy, rose gold cuff is purchased (but doesn't show up that well in the pics).

Finally, I am wearing the Trippen boots I bought in Santa Fe last fall. I have been wearing these often, as they are so comfy and I have no trouble walking miles in them, though today it was only one mile. I want to wear these so much that they cost one cent per wearing. ;)

Saturday, August 24, 2013

Have You Heard of Zady?


Have you heard of Zady?

Evidently it's similar to Etsy, where you can buy items from the folks who make them, but I'm not completely sure how it works. It launches in two days, give or take.

If you've heard more than that, I'd be curious to hear about it.

Friday, August 23, 2013

Fall Buttericks 2013


This is a first! It's the first time I have posted about the Butterick releases, but there are several patterns that I like in this fall batch.

First up is this stunning long coat from Katherine Tilton, Butterick 5960. It's very elegant and the version on the envelope looks like maybe the fabric was painted. If you live in a really cold climate, you might want to add a closure to it.

Someone mentioned on Stitcher's Guild that Katherine stenciled the coat, so I went and found the silk screens that she used on Marcy's site. They are gorgeous! Just the sort of thing that would make a great Christmas gift, if my kids ever bothered to read my blog. ;)

Set of 3 Enso Stencils

Next is another pattern from Katherine Tilton, Butterick 5961, a top and pants. The top has a sweatshirt-sort of vibe, and features an angled armscye and a stand-up collar. The pants feature vertical seams and are slim fitting.

I quite like this Very Easy tunic, Butterick 5954, with it's overlapped front and uneven hem. It might need a little tacking to keep the front in place, especiallly over a full bust, but it's cute.

Some time ago, one of my e-friends was admiring a Lafayette 148 top. This pattern, Butterick 5955, reminds me of that top, with it's shoulder seam detail, color blocking, and loose fit. (The top she admired was color blocked in white and black.) I also quite like the modified mandarin collar on view A (and shown in the pic).

I am always looking for new jacket and coat patterns, and Butterick 5958 looks very promising. A short jacket that features armscye princess seams, front and back, asymmetric closure, and both a zippered and buttoned option. There is also a collared and collar-less version, and a version without sleeves for those who want a vest. Yes, I like this very much!

This might seem to be a mundane pattern, but it's difficult to find patterns for workout-type wear that have style and panache. Most such patterns are not that interesting. This pattern has a very RTW feel to me with it's shoulder yoke, side panels, exposed zipper, in-seam pockets. I definitely like this one.

Another coat! I have been hankering to make a trench coat, but I think I want to make a single-breasted coat, instead of the double-breasted, which is more in fashion at the moment. This coat, Butterick 5966, has some of the elements I look for in a good coat. The pattern features shoulder princess seams, a flared hem, a standing collar, and is otherwise fairly basic - a great pattern to add interesting details to or to make up in an interesting fabric. (I am showing the illustration instead of the photo because it's hard to see details in the busy fabric they choose - for a moment I thought it had a peter pan collar!)

Those are my picks! There is no BMV sale right now, which is fine with me. I have *plenty* to sew, but I plan to pick these up when there is a sale!

Irons - The Good, The Bad, and The Ugly


In the past, I have been a huge fan of the Reliable Digital Velocity v100 iron. Mine, which arrived in October 2010, has seen heavy use since that time. I use it almost daily, often for many hours.

Then, earlier this week, it died.

Pffft.

Looking back, I realized I had a clue that I wasn't paying attention to. The last few times I refilled it, I would later notice wetness on the ironing board. At first I thought I was being sloppy while pouring in the (distilled) water, but the last time I was careful and there was still quite a bit of wetness. I believe that the leak shorted out the electronics, because I can no longer get anything to display on the digital readout.

At first I was pretty irked. This is an expensive, premium iron. It should last longer than 3 years, right?

But what to replace it with? Up until it's mysterious leaking and sudden death, it behaved perfectly. It heated up fast. It produced tons of steam, even at the lowest setting. I loved that I could override the auto shutoff feature. It has a substantial weight, which I want in an iron. (Though if you have weak wrists, it may not be for you.)

I know there are many fans of gravity feed irons, but I am not ready for that investment or for the care and feeding of a gravity feed iron.

As I was mulling over this crisis (seriously, I can't sew without an iron!) I did some calculations. I had the iron for 35 months. The cost for using the iron came to less than $4 a month.

I realized that this cost is completely worth it to me. I ordered another Reliable V100 Digital Velocity Steam Iron, which will be arriving next week.

Meanwhile, I ordered something I've been wanting for awhile. I ordered a dry iron, the Continental Electric CP43001 Classic Dry Iron. This iron does not produce steam and has a perfectly flat sole plate, so it's very nice for fusing interfacings - no little "circles" of unfused interfacing where there are corresponding holes in the sole plate.

It arrived today. Within minutes I was fusing the interfacings on my current jacket project.

I love it! This is a small iron, but it has some heft to it. There are no computerized bits to break down. There is no water reservoir to leak or spit. There is no automatic shutoff. (Though I plug my irons into a power strip that also has a light, so I know right away if my iron is on.) It isn't super fast at heating up, but it did get quite hot. It also feels less stable than my Reliable, so it's extra important not to leave it on where it can tip over and start a fire.

It was so weird to use such a quiet iron! No steam means no noise. No purring, nothing. I felt very retro while using it - wearing an old-style apron over a fitted dress would have completed the "June Cleaver" effect.

This iron will be a great supplemental iron and a backup for my seam iron. (One of these days I will get a clam-shell press...)

On another note, Margy and I are participating in a little sewing challenge, in the sense that we are both sewing up the same fabric. I hope to make some major progress on my project this weekend, though my kids often derail my plans at the last moment, so we'll see!